Thai jewelry art from prehistoric period until Rattanakosin age was produced for people. Nonetheless, it isn’t created to only present best workmanship or for decoration. In accordance with archeological and anthropological evidence, it can be presumed that jewellery is one of the very first ways guys used to represent their own sense of attractiveness and to construct their relationship with community and surroundings. The most important thing is the purpose of the Joma Jewellery that’s to worship sacred souls of self and nature by using “body” to drive “internal context.” This article aims to present ideas encouraged by fundamentals and to talk about processes important to understanding of jewellery art. This is for ascendants to be able to bring back evaporating relevance of jewelry art to its glory once more. History of Thai jewellery art has begun 50,000-1,700 years ago. Necklaces and bracelets made from bones and shells are discovered in graves of both women and men. In terms of the reason why jewellery is frequently buried with the dead, cultural anthropologists point that people in those days considered that death might be a kind of life continuity, similar to Brahman (a religion founded after Buddhism) who believe that spirits of the deceased will be reborn. Jewellery should then follow those who passed away to serve them in another life.
Men do not only attempt to comprehend their surroundings by clipping it, they also research characteristics of communities and individuals. This may be seen from spaces systematically arranged for civilization until men can conquer the chaos of their nature. In a study on an development of civilisation, this idea appears in the form of belief. Men mix themselves with the customs they practise, implanted in every individual till “customs” are formed. Jewellery or mysterious items thus come to be a symbol of this joint worship. This is as it’s closest to men’s bodies and best expresses human behaviours. It’s reflected in the fact that they are still create superstitious objects for the worship of the spirits and life. Boundary of the belief is restricted by religious rituals that are encouraged by cultural items, jewelry. The belief is preserved in the kind of folktales as well as images representing relationships between guys, nature, power and also the planet. This significance is a requirement for men to choose an alternative best match with the circumstance, as an example, substances, forms, colors, symbols.
This is because the body is the first location where interactions occur and touches with the jewellery. At the same time, the body brings out inner context of the jewelry to finish this worship for purity of their spirits. For an intended worship, the superstitious materials of these prehistoric men are the cornerstone of this belief before verbal communications, reflected through speech, images and forms. Thus, cultural objects are represented by beauty of construction, timing, or lifetime in symbolic types. These symbols are related to stories. Jewellery is the result of men’s aim to worship the holy souls wholeheartedly.
Results of an investigation on these facets will bring together images or forms of this legacy of this delicacy of both Thai wisdom.
1. Jewellery as regard on status
Because Thai Buddhism civilization is influenced by Brahman and Hindu, abstract beliefs have been combined to attitudes. It is expressed through the faith in “ideal states,” states past the acknowledgement of the 5 senses. This condition has the power to change the planet, men or objects. Thai Buddhism tradition pays focus on status of individuals with individuality made by surreal power. Consequently, jewelry is a instrument in worshipping these various countries. Men adopt the above ideal and develop social ranking and status. This is for the purpose of communications and ruling, particularly for the idea of divined god.
2. Jewellery as a tool for moral support
Now it isn’t only indicate standing, but filled with internal power and forces. This type of jewellery isn’t as expressive as the first one. It has its own location. This is because a wearer wants to conceal the power and maintain the moral support private. Jewellery for moral support has psychological effect on 3 elements;
- o Blessings
- o Protection
- o Superstitious beliefs
3. Jewellery as a mean to worship rituals of life
Consider life cycle: be born, grow older, fall sick and die, we’ll discover that jewellery is just one of those things embracing cultural contexts, value and stories. Images as well as the soul of jewelry art, therefore, reflect each portion of individual’s life and timing.This type of jewellery aims to worship relationships of the individuals. It functions as a mean to satisfy the stories of life and mental functions. It permits the wearer to feel the significance of mind, body and surroundings as a portion of one another and traditions. It also represents physical elements of “publicity” which strengthen the unity of the community.
4. Jewellery as celebration of the beauty of philosophy and aesthetics
What distinguishes this kind of jewellery is that men begin to look at jewelry as artwork and/or design. The influence of jewelry as an item of moral service is fading. Using jewellery as a way to express individuals plays a significant role. Jewellery can be compared to some philosophical and aesthetical moderate. Importance of expert craftsmanship and focus on materials selection thus increase. Development of this sort of jewellery differs and outstanding from ancient period until today.This kind of jewelry represents motivation of unknown artistic components; composition, design concepts, philosophy. Occasionally it travels beyond traditional practice. Jewellery resembles a heart or imagination which expresses our feelings. It may alter our ideas, feelings and emotions. In addition, it holds history and stories. Each man has his own poems and stories. He keeps them until he finds a way to communicate them through jewelry. But jewellery demands special skills and materials in order to best reflect thoughts and perceptions of the wearer.